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Petrarch's Plague Love, Death, and Friendship in a Time of Pandemic - Paula Findlen

Portrait by Altichiero da Verona of Francesco Petrarch, from a 1379 copy of the latter's

De viris illustribus — Source.

What will we remember of this year of COVID-19 and how will we recall it? In 1374, during the final year of a long and interesting life, the Italian humanist and poet Francesco Petrarch observed that his society had lived with “this plague, without equal in all the centuries", for over twenty-five years.1 His fortune and misfortune had been to outlast so many friends and family who perished before him, many of them from this devastating disease.

One of the most eloquent voices of his time, Petrarch spoke on behalf of an entire generation of plague survivors, following the pandemic of 1346–53 and its periodic return. He skillfully wielded his pen to express his society’s collective grief in the most personal and meaningful ways, acknowledging the effect of so much pain and loss. In the immediate aftermath of the particularly devastating year of 1348, when plague engulfed the Italian peninsula, his good friend Giovanni Boccaccio in his Decameron sketched an indelible portrait of young Florentines fleeing their plague-ridden city to wait out the storm by telling one hundred tales. For his part, Petrarch documented the experience of plague over several decades, probing its changing effects on his psyche. The Black Death sharpened his sense of the sweetness and fragility of life in the face of the endemic reality of disease that came in so many different forms. He had big questions and was in search of answers.

“The year of 1348 left us alone and helpless", Petrarch declared at the very beginning of his Familiar Letters, his great project to share carefully selected versions of correspondence with friends.2 What was the meaning of life after so much death? Had it transformed him, or for that matter anyone, for the better? Could love and friendship survive plague? Petrarch’s questions allowed his readers to explore how they, too, felt about these things. He gave them permission to express such sentiments, indeed took up the burden, which was also his literary opportunity, to articulate the zeitgeist.

Petrarch was famously a self-professed wanderer who rarely stayed in one place very long. He alternated between periods of self-imposed isolation in the countryside and full immersion in the life of cities, even during the worst outbreaks of disease. This mobility made him an especially unique observer of how plague became a pandemic. At the end of November 1347, one month after Genoese ships brought plague to Messina, Petrarch was in Genoa. Disease spread rapidly by land and sea — through rats and fleas, though at the time it was believed to be a product of the corruption of the air. Petrarch’s awareness of the course of this pandemic comes through clearly in a letter written from Verona on April 7, 1348, when he refused the invitation of a Florentine relative to return to his native Tuscany, citing “the plague of this year which has trampled and destroyed the entire world, especially along the coast”.3